The Basement Gallery
: : A u t o m a t i c T e r r a i n: :
Automatic
Terrain
March
2nd, 2007 - March 30th, 2007 Click
here for Installation
Shots
Featured artists are George Kennedy in the main gallery w/ a sculpture
by
Amanda
Baird
and Photography by Kelly Dykstra in the Project Space.
George Kennedy
"Automascapes"


Kelly Dykstra
My photography is an exploration of the internal. Whether it is
investigating the structure of memory, iconography in the public and private
atmospheres, family and human bonds, loss and impermanence or evocative
sentimentality, I am fueled by the desire to explore the uncertainty and
spirituality of the human condition and the world in which we live.
This
Too Shall Pass

In Between
Memory and Time


Amanda Baird

George Kennedy makes mixed
media works and states that “Over the past several years I have created
a vast visual library of photographic images taken during my travels to ruins
in remote sites
around the world. My fascination with ruin and decay is given free reign in the
marriage of iconography gleaned from such sites as the Mayan city of Tikal in
Guatemala, Gaudi’s Barcelona, and the
treacherous ruins of Bannerman’s Arsenal on the Hudson River. I have traveled
to London to gather images of the crumbling Victorian cemeteries, Highgate and
Kensal Green (featured here in “Uberworld”) and, last summer, I spent
ten days in the jungles of the Sierra Madre mountains of Mexico photographing
eccentric surrealist Edward James’ extraordinary eighty acre sculpture
garden.”
Kelly Dykstra’s photography is an
exploration of the internal. She says “whether it is investigating the
structure of memory, iconography in the public an private atmospheres, family
and human
bonds, loss and impermanence or evocative sentimentality. I am fueled by the
desire to explore the uncertainty and spirituality of the human condition and
the world in which we live.
Amanda Baird creates sculptures that
provoke thought and encourage further investigations. What seems to be an immediate
interpretation dissolves as the viewer begins to engage with the
complexity of her works.